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        Fashion savvy, style conscious and brand crazy -- the Japanese 
        are the world's greatest shoppers. It should be no surprise then that 
        the feature display window in a shop is elevated to an artform. Reminiscent 
        of the 'tokonoma', a special place in Japanese houses for hanging scrolls 
        and displaying Ikebana, the feature display window is reserved for the 
        latest and most fashionable of desirables in the store. Be they pearls, 
        spectacles, shoes or electrical goods, a store window needs to be a thing 
        of beauty. 
         
        The most famous of Tokyo's shop windows is the Waco department store in 
        the commercial heart of Ginza. In spite of the surrounding huge TV screens 
        mounted on nearby buildings, blaring out pop beats and animations, the 
        Waco window always transfixes the passerby. Color floods from the glass 
        and reflects on the faces of those gazing in at the tableaux of shoes 
        and accessories. The window, which regularly changes, has often a whimsical 
        narrative theme to its display of bags shoes and accessories.  
         
        In the same area are the windows of Minimoto pearls and Shiseido cosmetics. 
        In keeping with the size of their product the pearls window is exquisitely 
        small. Like a medieval altars you need to approach it reverently to inspect 
        the details. Sometimes peacock feathers and sliver accessories enhance 
        the translucent pearl spheres. At other times, a stark minimal blackness 
        contrasts a fortunous mountain of gleaming beads.  
         
        The redesigned Shiseido building is designer-sleek from inside to out 
        Ð from basement to upper floors and has the coolest elevators to boot. 
        But the windows onto the street are a step above the rest of this modernist 
        Ritz. 
         
        Given over to artists and designers, the huge 4 meter windows have housed 
        dolls with silken hair dripping to the floor into large pools of water 
        and at other times complete dead trees including roots Ð spotlit and surreally-suspended 
        a meter above the floor. Recently they housed huge blue kimono with a 
        landscape of a cascading waterfall painted on their backs.  
         
        However, the zenith in creative windows on Chu Dori in Ginza belongs to 
        LaPola. Flower arrangements to faucets have filled this space but each 
        in an unexpected way. Unusual materials such as artificial grass and garden 
        hoses have on occasion been combined to create a furry green grid across 
        the glass.  
         
        Often secreted away among these design oddities are the beauty products, 
        the commercial core of it all, reduced to simply being financial patrons 
        for the art installation around them.  
         
        Not to be out-glitzed by Ginza are the very cool shops of Omotesando. 
        On either side of this high fashion boulevard are the Gucci headquarters 
        and the Anniversary (wedding) department store. They are in a perpetual 
        duel for stunning window displays.  
         
        In the past, this has included the incongruous ethnographically inspired 
        stack of African carvings and drums, together with wedding dress (Anniversary). 
        And the anthropomorphic stuffed zebra in designer boots (Gucci). It is 
        not just the big department stores that specialize in the art of display. 
         
         
        Almost every local area of Tokyo has a 'gofuku-ya', a shop that specializes 
        in Kimono and traditional wear. These stores have refined the art of fine 
        display. Letting the products doing the talking with flowing obis and 
        simply hung Kimono, they have maintained a grace and an eddy of elegance 
        in the cacophonous local shopping precinct. 
         
        But just as the store-windows have become art - so has art moved into 
        the window displays. In an attempt to bring art to the people the Tachikawa 
        Art Festival features art installations in department store windows. Recently 
        the Fuji bank has began a series of art windows in their Tokyo branch 
        offices. Inviting a range of people from recognized artists to school 
        groups to display their art in the bank windows. 
         
        Consumer display has long led the way for museums with lighting and display 
        techniques. A good Tokyo window can include costumes to rival Kabuki, 
        theatrics as passionate as No and the cool aesthetic of a Zen rock garden. 
        In Japan the objects of our desires are displayed with flair, encapsulating 
        a thousand years of visual and dramatic aesthetics.  
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